Check out this building constructed from 5,000 3D-modeled bricks

Architectural firm Bureau de Change envisioned a modern building that fits comfortably with its London neighborhood's 19th century British style

BY VERONIKA BONDARENKO

Today 8:04 A.M.

A trendy new building constructed from more than 5,000 3D-modeled, interlocking bricks has been erected in London’s Fitzrovia neighborhood.

The five-story mixed-use building, named “The Interlock,” was designed by Bureau de Change and developed by HGG London, according to Curbed. The idea, according to the architectural firm, was to use a traditional medium such as brick to add a stylish touch while fitting comfortably in the neighborhood’s 19th century aesthetic.

It is meant as both a stylish modern space and a good fit into the upscale neighborhood's traditional 19th century British aesthetic.

“At the rear, the building is set out as a series of stacked boxes of varying form and size,” the building’s architects write. “Each floor is shallower than the last with the deepest floorplan at the bottom and the smallest at the top.”

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The result is more than 5,000 bricks that, through 3D software, have been made to lock into each other like cogs as part of a larger wall. The charcoal blue clay bricks are, on first glance, out of shape with one another. The overall effect is what appears to be a brick wall with a stacked-box effect.

The building itself boasts a café on the bottom floor, three apartment units and a gallery on the upper floors. Each floor becomes more shallow than the one before it and brings in natural light through deep light wells, skylights and internal patios built in through the building.

“The project represents a shared vision between developer and architect to taking London’s architecture and re-approaching it in a way that brings something new to the streetscape,” the architects wrote.

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Hand-crafted furniture

Halifax is a historic brand, born in the 90’s at the heart of Brianza, cradle of master craftsmen, manufacturers of amazing hand-crafted works thanks to their skill in selecting the best materials and their advanced know-how in woodwork. Halifax always manufactured, during the years till nowadays, a highly refined product, extremely accurate in details and in the choice of the most precious finishes.

Our attention always focused on transforming the material into a functional object and a design object at the same time. Halifax initial collection offers a range of products manufactured in solid wood, with hints of memory, like the table Winston, the vitrine Vetriera and the showcase Bacheca.
After 25 years we are re-proposing these items with alternative woods. Our heritage of beauty and unique solutions characterized by a strong personality.

INTRECCI ARMCHAIR

Destructured armchair, made with combinations and overlaps of solid wood slats. The randomness in the application of the strips, made entirely by hand, makes this work a Masterpiece. Padded cushion and backrest. Removable fabric cover with “Bordino” stitching or removable double-edge stitching in visible leather.

Dimensions: L79 X P 75 X H76


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STEALTH

Sofa with irregular segments, wooden frame covered with different density polyurethane foam, cushions in polyurethane foam. Partially removable fabric cover.

Dimensions: L 320 X P 157 X H 120


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OTHER PRODUCTS BY HALIFAX

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Source: Halifaxgroup.it

Leya by Freifrau

Birgit Hoffmann and Christoph Kahleyss design is a fusion of contrasts. Leya is a perfectly formed chair featuring an elegant, firmly upholstered outer shell on a delicate wire frame or on a solid wooden frame. With its congenial mix of material and colour, Leya has all the makings of a unique designer piece. To sit down in the chair is to indulge the senses further still. The inner padding accommodates your body much like a fluffy pillow and, in doing so, reveals Leya’s soft core.

Swing and Rock: getting in motion with Freifrau

Swaying back and forth in a rocking chair puts you in a good mood. The Leya Rocking Chair lets you do just that. Freifrau took plenty of time to make the chair just right, especially when it came to shaping the rockers. Have a look at the new ones: Leya Rocking Wingback Chair and Leya Rocking Chair Small.

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Leya Rocking Wingback Chair | Leya Rocking Chair Small

The Leya Rocking Chair is like the Leya Swing Seat, but on rockers, and has all of the same comfort as other members of the Leya family. Designers Birgit Hoffmann and Christoph Kahleyss took plenty of time to make the chair just right, especially when it came to shaping the rockers. The curved bands allow the perfect amount of movement while the classic Leya Lounge Chair seating shell offers all the usual stability and comfort.

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Leya Swing Seat

In furniture terms, the swing is nothing less than the definition of happiness: there’s nothing more relaxing than rocking back and forth – and now, you can enjoy these glimpses of weightless bliss at home, too.

Designers Birgit Hoffmann and Christoph Kahleyss have taken a Leya seat shell, added metal eyelets and leather straps, and slung it on two stable lines.

The result is a swing seat that doesn’t take up much space, looks light and graceful, and offers all the comfort of a full Leya armchair. But enough talk: you’ve simply got to try it yourself to understand how deeply satisfying an experience it is…

Discover the entire Leya collection here

Geometries by Roche Bobois

2019/2020 Autumn-Winter Collection

This season, Roche Bobois explores the true essence of forms. New creations play on curved and sharp lines to create sleek pieces and more elaborate ones (such as the Girasol table). Design after design, the 2019 Fall-Winter collection unveils a series of lines, squares and polygons that echo the geometric shapes that structure interior spaces. It also embodies the stimulation of the creative mind by new digital capabilities, which allows new and complex forms to be developed such as the winding base of the Ser- pentine table. Through this diversity, Roche Bobois brings to life a collection shaped and inspired by underlying geometries.

Cigale

Dining table with tray and two glass-ceramic composite extensions (different finishes) on a manganese lacquered aluminum bar or matching the tray. Base in 8 lacquered steel plates assembled (different colors).

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Informel

Designed in 1981 by Hans Hopfer, the Informel sofa with its fully foam structure originally featured a ruched quilted duvet, embodying the 1980s trend of cosy comfort. A huge success at the time, it has now been updated for its return to the Roche Bobois catalogue by utilising a new elastic technical fabric and random tufts to accent its shape.

Girasol

In love with triangles? The innate balance of its geometry captivates and brings to life hypnotizing motifs. Patrick de Glo de Besses designed the Girasol dining table as a farandole of geometries: the 16 facets of its pyramidal skirt-like base result from the superposition of 2 square volumes, the 8 polygons of its marquetry top wrap around an octagon, and the belt is composed of 32 triangles.

Temps calme

For Roche Bobois, comfort is about more than a physical experience, aesthetic also comes into play. Physical comfort is always key, with sofas designed for the well-being of those who curl up and get cosy.

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Merlin

Mirror in bronze Canaletto walnut, with central witch eye in silver mirror.

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Waterline

Side table made of molded ceramic with double enamelling (many colors available).

Charleston

Luminaires with satin black metal frame, fusing glass diffuser and satin methacrylate. Light source: integrated LED.

Blue losanges

Hand tufted rug in wool, viscose and cotton.

Paquebot

Glazed ceramic vases.



Jean Cocteau Collection

This season, Roche Bobois dives into the graphic magic of Jean Cocteau’s drawings. In addition to new editions of certain ceramics, a complete collection is unveiled that draws inspiration from the artworks of the poet, graphic artist and illustrator.

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Talking about Beauty with the photographer Paul Eis

What is beauty for you?

I think the question ‘what beauty is’, is a very difficult one and everyone will answer this question differently due to their backgrounds, ages, circumstances and many more factors.
Furthermore I would say, that also my personal answer to this question can vary with the time or with different situations.
Most likely i would explain perfect beauty for me as something that is created when different things, circumstances, persons, etc… become  „well-rounded“ in its interaction. And you feel that it is right and should not be different at all. It also does not have to reference aesthetic aspects. An example most of you will have experienced is an evening that can be „simply beautiful“ when people, food and location are fitting together.
Referring to architecture, beauty can arise when, for instance, material, conception and construction create a coherent unity. Or when you see how people are giving life to a building.
And beautiful things do not always have to be something coherent but can also be something really contradictory.

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What is the influence of beauty in your activity?

With my photo series, I want to show that modern architecture does not have to be grey and monotonous as it often is in realty. It’s very prevalent that modern architecture is only perceived as cold and not beautiful. That’s because functionality became predominant in the process of designing whilst questions like joy and beauty were neglected.  Giving colours to functional buildings, I want to give an idea how this very simple intervention can make those structures more interesting, livable and beautiful.

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Would you like to tell us something of about your work and your future projects?

Eventually I think that i am going to expand the series to more countries and cities around the world as there is still a lot of different architecture to see and interpret. As I only started studying architecture in 2016, this is currently my priority. Although at the moment there are no other projects planned ideas for projects often come very spontaneously into my mind,as was the case with this project.

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About me:

I was born 1998 in Berlin. After finishing school in 2016 I moved to Austria to study architecture at the University of Arts and Industrial Design in Linz.

 

About the project: 

In the project I started in 2015, I photograph modern buildings and colour them with photoshop to criticise the lack of colour in modern architecture and to show how colour can make „normal“ buildings more interesting and livable.

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For more information about Paul Eis, visit his stite at paul-eis.com

PANTONE 19-4052 Classic Blue

Instilling calm, confidence, and connection, this enduring blue hue highlights our desire for a dependable and stable foundation on which to build as we cross the threshold into a new era.

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A timeless and enduring blue hue, PANTONE 19-4052 Classic Blue is elegant in its simplicity. Suggestive of the sky at dusk, the reassuring qualities of the thought-provoking PANTONE 19-4052 Classic Blue highlight our desire for a dependable and stable foundation on which to build as we cross the threshold into a new era.

Imprinted in our psyches as a restful color, PANTONE 19-4052 Classic Blue brings a sense of peace and tranquility to the human spirit, offering refuge. Aiding concentration and bringing laser like clarity, PANTONE 19-4052 Classic Blue re-centers our thoughts. A reflective blue tone, Classic Blue fosters resilience.

As technology continues to race ahead of the human ability to process it all, it is easy to understand why we gravitate to colors that are honest and offer the promise of protection. Non-aggressive and easily relatable, the trusted PANTONE 19-4052 Classic Blue lends itself to relaxed interaction. Associated with the return of another day, this universal favorite is comfortably embraced.

About Pantone Color of the Year

For over 20 years, Pantone’s Color of the Year has influenced product development and purchasing decisions in multiple industries, including fashion, home furnishings, and industrial design, as well as product packaging and graphic design.

The Pantone Color of the Year selection process requires thoughtful consideration and trend analysis. To arrive at the selection each year, Pantone’s color experts at the Pantone Color Institute comb the world looking for new color influences. This can include the entertainment industry and films in production, traveling art collections and new artists, fashion, all areas of design, popular travel destinations, as well as new lifestyles, playstyles, and socio-economic conditions. Influences may also stem from new technologies, materials, textures, and effects that impact color, relevant social media platforms and even upcoming sporting events that capture worldwide attention.

About The Pantone Color Institute™

The Pantone Color Institute is the business unit within Pantone that highlights the top seasonal runway colors, selects the Pantone Color of the Year, forecasts global color trends, and advises companies on color for product and brand visual identity. Through seasonal trend forecasts, color psychology, and color consulting, the Pantone Color Institute partners with global brands to effectively leverage the power, psychology, and emotion of color in their design strategy.

Source: www.pantone.com

This modern Healthcare Startup Is Using Design to Heal

Parsley Health's latest space is a cheerful take on the doctor's office

By Kara Ladd Photography by Trevor Tondro | November 14, 2019

The lounge area of Parsley Health's new Los Angeles flagship features natural elements like a caned chair by Hansen + Hyldahl for Norr11 and Workstead's Lodge chandelier designed to put patients at ease before being treated.

The lounge area of Parsley Health's new Los Angeles flagship features natural elements like a caned chair by Hansen + Hyldahl for Norr11 and Workstead's Lodge chandelier designed to put patients at ease before being treated.

Visiting the doctor is never pleasant. Even less so when your physician’s beige, cramped office space hasn’t been updated in decades and comes with a signature scent you can’t quite identify—and perhaps don’t want to. Parsley Health aims to change that dreaded experience. As a modern primary-care practice that strives to reinvent stereotypically sterile doctor’s offices, it is leveraging the interiors world’s latest trend—biophilic design. The term biophilia, coined by biologist Edward O. Wilson in the early ’80s, refers to the hypothesis that humans have a biological affinity to nature. Thus, biophilic design bridges the gap between the great outdoors and the great indoors, incorporating eco-inspired aesthetics into spaces like your home, work, and now your doctor’s office. “We’re trying to bring the outside inside,” says Alda Ly, founder of Alda Ly Architecture & Design and the architect behind Parsley Health.

Slatted partitions allow the natural light from the waiting room to flood the reception area, and a sunny yellow lamp by Verner Panton greets patients.

Slatted partitions allow the natural light from the waiting room to flood the reception area, and a sunny yellow lamp by Verner Panton greets patients.

The conscious-meets-corporate company launched their first custom-designed flagship on Fifth Avenue in New York City earlier this year and recently opened their West Coast flagship in Los Angeles in October. Parsley also has a center in San Francisco and offers online-only doctor's visits nationally. The Parsley Health team had a grassroots vision for its latest space, utilizing healing biophilic design components proven to produce positive health effects on patients—think plenty of plants, chromotherapy, and fluid architecture.

The cheery café offers kombucha on tap and healthy snacks.

The cheery café offers kombucha on tap and healthy snacks.

Common features of a doctor’s office, like the cold, uninviting exam table, proved to be an exciting challenge for the design team.

Common features of a doctor’s office, like the cold, uninviting exam table, proved to be an exciting challenge for the design team.

If you think about it, there's no better time for biophilic design: The more we lean into rapid innovation and urban industrialization, the more we inherently yearn for interior odes to Mother Nature. And according to the American Stress Institute, 70–90% of all visits to primary-care physicians are due to stress-related issues, so it’s only natural that health care centers would be designed as calm havens for patients, to take the edge off while they’re being treated. “We need to lessen our anxiety, live more consciously, and celebrate and protect the natural beauty of our planet," says Hilary Koyfamn, Parsley Health’s interior designer and founder of Hilko Designs. "Bringing this ethos into our spaces is a natural extension of that mindset.”

Take cues from the welcoming waiting area and furnish your own space with rounded-edge furniture, natural materials like rattan, and plenty of greenery.

Take cues from the welcoming waiting area and furnish your own space with rounded-edge furniture, natural materials like rattan, and plenty of greenery.

Parsley Health’s 2,500-square-foot Los Angeles space is modern yet inviting, resembling more of a chic coworking space or delightful brunch spot rather than a place to get your medical concerns off your chest. The floor-to-ceiling windows act as a floodgate to streams of natural light that shine on a jungle of potted plants, purposefully placed around the office. The design incorporates a mindful balance of neutral hues and pops of pastels on natural textiles, anchored with grounding stone and wood accents.


The often-feared blood-draw room is decorated with ocean blue cabinetry and tiles, and warm wood furniture to echo the local Southern California environment.

The often-feared blood-draw room is decorated with ocean blue cabinetry and tiles, and warm wood furniture to echo the local Southern California environment.

“The L.A. flagship was inspired by both the dusty desert and rich ocean colors of California’s landscape, which are apparent in the warm fabrics and blue cabinetry throughout the space,” says Alda. “We paid close attention to the color palette to instill a sense of calm, activating a parasympathetic state, otherwise known as rest-and-relaxation,” adds Hilary. That palette includes Benjamin Moore's Misty Gray, Soft Chinchilla and Monticello Rose. Particular attention was also paid to anxiety-inducing elements of every doctor’s office like the exam table. “I wanted to change the language and make it feel cozy using soft edges, warm materials, and inviting color to ease anxiety rather than exacerbate it,” says Hilary.

“We want to make sure that both the patients and doctors feel calm and supported by the space they are in,” says Alda

“We want to make sure that both the patients and doctors feel calm and supported by the space they are in,” says Alda

Of course, one of the biggest hurdles in designing a service-based spaced is balancing aesthetics with functionality. “We wanted to fit as much programming as possible while maintaining a healing atmosphere. Through multiple iterations, we found a layout that integrated the long central hallway—also found in the NYC location—an open kitchen, and a spacious reception and retail wall,” says Alda.

Pastel-painted visit rooms are designed for two-way conversation.

Pastel-painted visit rooms are designed for two-way conversation.

A bathroom features punchy blue countertops and a millennial pink sink.

A bathroom features punchy blue countertops and a millennial pink sink.

The wellness industry is worth more than $4.2 trillion, so this can only be the beginning of biophilic design in professional and public spaces. Soon enough it will transcend beyond the confines of yoga studios, juice bars, and meditation spaces and into high-traffic, powerful places of purpose. “It would be incredible to see this evidence-based design in schools, hospitals, and service buildings,” says Alda. Who wouldn't look forward to their annual physicals at this doctor's office?

A zen-like hallway leading to exam rooms mimics natural sunlight in order to instill a sense of calm.

A zen-like hallway leading to exam rooms mimics natural sunlight in order to instill a sense of calm.

Source: Clever

Carolina Irving Crafts a Romantic Retreat in Remote Portugal

Globe-trotting textile designer Carolina Irving unwinds at her romantic retreat on a remote stretch of Portugal’s west coast

By Carolina Irving Photography by Miguel Flores-Vianna Styled by Carolina Irving

Six years ago I fell in love with the Alentejo, a region in south central Portugal at once austere and poetic, planted with umbrella pines and cork oaks, and graced with a pristine coastline—a sandy, secluded beach that stretches for miles along the Atlantic. I owe this to my friend Christian Louboutin, who in the spring of 2013 said to me, “Get on a plane and meet me in Lisbon. I’m going to take you to a magical place.”

The home’s whitewashed walls and tile roof reference neighboring architecture.

The home’s whitewashed walls and tile roof reference neighboring architecture.

From the airport we drove south for a couple of hours, continuing past the rice fields of Comporta. After passing the tiny and charming village of Melides, we turned onto a sandy path heading west toward the ocean. To one side, the road ran parallel to emerald-green rice fields that almost made me think I was in southeast Asia, and to the other stood a beautiful pine forest as far as the eye could see.

An Ikea fabric covers a bench on a terrace.

An Ikea fabric covers a bench on a terrace.

I had been to Portugal many times before, from north to south, but had somehow skipped over the Alentejo. I was instantly captivated by the landscape, the savanna-like aspect of fields with just a few sculptural trees silhouetted against the intensely blue sky, the rolling hills covered with beautifully twisted cork oaks. Because it was springtime, all was covered in blooming white cistus. Storks circled over the rice fields and nested on rooftops and old electrical poles.

The “road” was dotted with just a few humble houses with thatched roofs, cactus hedges everywhere in the sand. After a few miles, we arrived at a three-acre plot with a crumbling ruin on it. The view was breathtaking, extending across rice fields and a lagoon teeming with birds to the sea in the distance. It was love at first sight, and I knew I had to buy this heavenly place and make it my own.

Building the house was fairly simple, if not entirely easy. We—my boyfriend, Bertrand; my two daughters, Olympia and Ariadne; and I—wanted to respect the landscape and the local architecture. The original fishermen’s houses are built of brick that is then limed for protection from the elements. We tried to give ours the same look but chose to use old tiles for the roof instead of the traditional rice-straw thatch. (Thatch is charming but needs to be replaced every four years, as the salt air is quite destructive.)

Swirly bowl; $75. ci-daughters.com Photo: Courtesy of Carolina Irving

Swirly bowl; $75. ci-daughters.com Photo: Courtesy of Carolina Irving

The laws being very strict, we had to heed—to the inch—the footprint of the previous house, which was just under 1,000 square feet. (Annoyingly, there were satellite images dating from the ’70s documenting the original size.) But it has been a real lesson in respecting the genius of this place. I had to edit, be rigorous, and focus on the essential—and that wasn’t easy for me, someone who loves a profusion of fabrics and color.

The kitchen was built and sourced locally, including the earthenware dishes.

The kitchen was built and sourced locally, including the earthenware dishes.

My great indulgence was the living room floor, for which I chose hexagonal, handmade emerald-green tiles from a traditional workshop called Azulejos de Azeitão. I went and chose the exact shade of green, my favorite color. All the tiles are made by hand, so I had to wait a long time for them, but it was worth it. To be honest, the tiles were more expensive than anything else in the house!

With that grounding, the rest of the room could be simple and rustic: whitewashed walls, a long built-in banquette with cushions of Majorcan ikats, Spanish and Portuguese ceramics, Mexican terra-cotta plates on the chimneypiece, a simple wood table covered with a black-and-white Portuguese rug.

An antique Greek tapestry hangs behind an Ikea sofa; pillows covered in a Carolina Irving Textiles linen.

An antique Greek tapestry hangs behind an Ikea sofa; pillows covered in a Carolina Irving Textiles linen.

In a little nook under the stairs up to the roof terrace sits an Ikea sofa covered in sunflower-yellow cotton. Above it hangs a tapestry from Crete of the most beautiful crimson with multi-colored bouquets of flowers. It looks totally at home with the rest of the objects, as I truly think that all crafts from southern Europe and the Balkans share a common thread.

The three bedrooms are of monastic simplicity—built-in furniture, white handwoven Portuguese bedcovers, and a pair of blue woolen Indian hangings flanking the window. There’s nothing superfluous to distract from the view

The banquette cushions are made with an ikat by Bujosa Textil. Floor tiles by Azulejos de Azeitão.

The banquette cushions are made with an ikat by Bujosa Textil. Floor tiles by Azulejos de Azeitão.

Outside was a different story, all sand and not an ounce of soil. I had to forget about the romantic garden I used to have in Amagansett, lush with crab apples and ancient roses. But here I could plant all sorts of cacti and strange (to me) tropical and subtropical plants like jacarandas, loquats, albizzias, mimosas. . . . Even strelitzias, which I had always hated—they always made me think of those hideous bouquets you see in posh hotels—but have now learned to like.

Criss Cross platter; $250. ci-daughters.com Photo: Courtesy of Carolina Irving

Criss Cross platter; $250. ci-daughters.com Photo: Courtesy of Carolina Irving

Pergolas run all around the house for shade, covered in bright blue convolvulus, which is threatening to engulf everything. We all come as often as we can. Except for a couple of winter months, we live out of doors—just following the sun or hiding from it. Weather permitting, all meals are taken outside. I love entertaining and am totally obsessed with everything to do with it. Thank God, Olympia and Ariadne suffer from the same affliction, which is why we decided to create our tabletop collection, Carolina Irving and Daughters. I can’t think of more joyful work than traveling with them in search of artisans to collaborate with.

A table is set with a mix of local, Carolina Irving and Daughters, and Vista Alegre tableware.

A table is set with a mix of local, Carolina Irving and Daughters, and Vista Alegre tableware.

This house is truly a place for family and friends, so I was thrilled when my dear friend Lisa Fine asked me to be in her new book Near & Far: Interiors I Love ($60, Vendome Press). And I was even happier when I knew that Miguel Flores-Vianna would photograph it, as he has an unerring eye and sense of the poetic. It’s all been a dream come true.

Grape plate; $75. ci-daughters.comPhoto: Courtesy of Carolina Irving

Grape plate; $75. ci-daughters.comPhoto: Courtesy of Carolina Irving

Source: AD for the full article and references please click here and visit Carolina Irving social page

Explore the Famous Hotel Chelsea’s Last Bohemian Private Homes

The landmarked Victorian Gothic meets Queen Anne Revival edifice has had an impressively storied life

By Stefanie Waldek Photography by Colin Miller

New York may always be changing, but vestiges of the past linger in small pockets of the city. One such time capsule—at least for the time being—is the Hotel Chelsea. Completed in 1885, the Chelsea, as it’s known, has long blurred the line between an apartment building and a hotel, with both long-term residents and temporary guests staying in its spaces. Most famously, it has a reputation as an enclave for creative types: It’s impressive list of famous occupants include Mark Twain, Dylan Thomas, Arthur C. Clarke, Stanley Kubrick (who wrote 2001: A Space Odyssey with Clarke here), Jane Fonda, Édith Piaf, Jim Morrison, Jimi Hendrix, Leonard Cohen (who wrote "Chelsea Hotel" and "Chelsea Hotel No. 2" about the property), Janis Joplin, Madonna, Diego Rivera, Henri Cartier-Bresson, Robert Mapplethorpe, and Andy Warhol (whose Chelsea Girls film, which was shot here, features residents), just to name a few.

But the 21st century hasn’t been kind to the Chelsea’s few dozen remaining long-term occupants, as a slate of new owners has attempted to oust them and rehab the building into a modern hotel. Those residents and their artistic homes are the subject of a new book, Hotel Chelsea: Living in the Last Bohemian Haven by photographer Colin Miller and writer Ray Mock ($50, The Monacelli Press).

“This project is about how creative people forge a place for themselves in the midst of turmoil. The photographs in this book capture a moment in this process and frame an instant of a city in constant transition,” writes Miller in his photographer’s note for the book. “Gone are the times when those living alternative lifestyles could find shelter here for meager rents. The spaces that can accommodate artists who have yet to achieve broad success have long since moved far from the Chelsea. But those artists who found that here have persisted; they’re still living creative and important lives.”

Hotel in Chelsea, NYC

Hotel in Chelsea, NYC

Filmmaker and photographer Tony Notarberardino has also lived in the Chelsea since the mid-’90s, creating a colorful space dedicated to his mesmerizing collection of objects.

Filmmaker and photographer Tony Notarberardino has also lived in the Chelsea since the mid-’90s, creating a colorful space dedicated to his mesmerizing collection of objects.

Former club girl and model Man-Laï’s residence is filled with decor elements that combine her Belgian and Chinese heritages, acquired over the nearly 40 years she’s lived in the Chelsea.

Former club girl and model Man-Laï’s residence is filled with decor elements that combine her Belgian and Chinese heritages, acquired over the nearly 40 years she’s lived in the Chelsea.

Colleen Weinstein and her late husband, Arthur, an artist and club owner, raised their daughter Dahlia in the Chelsea. Artworks fill the home.

Colleen Weinstein and her late husband, Arthur, an artist and club owner, raised their daughter Dahlia in the Chelsea. Artworks fill the home.

Event producer Susanne Bartsch is known for her extravagant parties and avant-garde fashion sense. Her home in the Chelsea has interiors to match her larger-than-life persona.

Event producer Susanne Bartsch is known for her extravagant parties and avant-garde fashion sense. Her home in the Chelsea has interiors to match her larger-than-life persona.

Perhaps you can guess Suzanne Lipschutz’s profession by her maximalist interiors—she’s an antiques dealer and wallpaper expert.

Perhaps you can guess Suzanne Lipschutz’s profession by her maximalist interiors—she’s an antiques dealer and wallpaper expert.

Source: AD

The 10 Coolest Neighborhoods in Lisbon

By Nina Santos / November 2018

Portugal’s capital is a picturesque city full of beautiful streets, cosy venues, cultural finds and wallet-friendly restaurants. In Lisbon, history blends with modernity and a centuries-old landmark may sit side by side with a hip hotel; each street has a story to tell and each corner reveals a different secret. These are the coolest neighborhoods to visit when in Lisbon.

Baixa and Rossio

The most tourist-friendly neighbourhood during the day is that between Baixa and Rossio, where many of Lisbon’s main landmarks, shopping and dining opportunities can be found. Although ‘downtown’ is a term used loosely to describe a few neighbourhoods, this is Lisbon’s real downtown area. It is also the main part of the city that was destroyed during the famous earthquake of 1755 and rebuilt in the late 18th century. A few key sites include Livraria Bertrand (the oldest bookstore in the world still trading), the elaborate Brasileira café, the elegant, bright-yellow Praça do Comércio and the Rossio train station.

A man sharpens a knife, Chiado Marina Watson Peláez / © Culture Trip

A man sharpens a knife, Chiado Marina Watson Peláez / © Culture Trip

Elisabete Monteiro, owner of Pequeno Jardim flower shop in Baixa-Chiado Marina Watson Peláez / © Culture Trip

Elisabete Monteiro, owner of Pequeno Jardim flower shop in Baixa-Chiado Marina Watson Peláez / © Culture Trip

Rossio train station Marina Watson Peláez / © Culture Trip

Rossio train station Marina Watson Peláez / © Culture Trip

Employee at A Carioca, Baixa Marina Watson Peláez / © Culture Trip

Employee at A Carioca, Baixa Marina Watson Peláez / © Culture Trip

Bairro Alto

If you want to know where everyone is on Saturday night, chances are good that it’s Bairro Alto. This windy, hilly neighbourhood is filled with bars and has a bohemian vibe, making it one of the coolest places in the city. There are also restaurants, cafés, tattoo parlours and hostels in addition to the ever-present historical landmarks. It’s not just for hanging out in, either; the side streets are filled with apartments and those who can handle the busy weekends love the central location.

Seamstress Dulce Albuquerque at her home in Bairro Alto Marina Watson Peláez / © Culture Trip

Seamstress Dulce Albuquerque at her home in Bairro Alto Marina Watson Peláez / © Culture Trip

If you want to know where everyone is on Saturday night, chances are good that it’s Bairro Alto

São Roque Church, Bairro Alto Marina Watson Peláez / © Culture Trip

São Roque Church, Bairro Alto Marina Watson Peláez / © Culture Trip

Alfama

Alfama is perhaps the most charming part of Lisbon, and it’s the oldest too. This is the place to go if you want to eat a traditional meal accompanied by equally traditional fado music. Narrow, winding medieval alleys are common all over Lisbon but nowhere more so than in Alfama, where the roads have been described as labyrinthine. If you know where you’re going, this maze leads to landmarks in other parts of the city including the Castelo de São Jorge and the beautiful lookout point at Portas do Sol.

Portas do Sol viewpoint, Alfama Marina Watson Peláez / © Culture Trip

Portas do Sol viewpoint, Alfama Marina Watson Peláez / © Culture Trip

Portas do Sol viewpoint, Alfama Marina Watson Peláez / © Culture Trip

Portas do Sol viewpoint, Alfama Marina Watson Peláez / © Culture Trip

Cathedral Sé, Alfama Marina Watson Peláez / © Culture Trip

Cathedral Sé, Alfama Marina Watson Peláez / © Culture Trip

Museum of Decorative Arts, Alfama Marina Watson Peláez / © Culture Trip

Museum of Decorative Arts, Alfama Marina Watson Peláez / © Culture Trip

Alcântara

Technically, Alcântara is a parish of the district of Lisbon but locals consider it part of the city. Situated between downtown and Belém, it’s a neighbourhood along the river where visitors will find Docas de Santo Amaro (a dock filled with bars and restaurants) and the LX Factory (a renovated factory building complex that’s been converted into shops, offices, restaurants and more).

A Praça Restaurant, LX Marina Watson Peláez / © Culture Trip

A Praça Restaurant, LX Marina Watson Peláez / © Culture Trip

LX Factory Markets Marina Watson Peláez / © Culture Trip

LX Factory Markets Marina Watson Peláez / © Culture Trip

LX Factory, Lisbon Marina Watson Peláez / © Culture Trip

LX Factory, Lisbon Marina Watson Peláez / © Culture Trip

Oh! Brigadeiro Marina Watson Peláez / © Culture Trip

Oh! Brigadeiro Marina Watson Peláez / © Culture Trip


Príncipe Real

This trendy neighbourhood is west of Avenida da Liberdade and north of Bairro Alto. The buildings here are grander than many other neighbourhoods in Lisbon, giving off a pricey vibe, and its name even translates into ‘royal prince’. Príncipe Real is a residential neighbourhood but doubles as a social district filled with stores and gardens.

Embaixada, in Ribeiro da Cunha Palace, Príncipe Real Marina Watson Peláez / © Culture Trip

Embaixada, in Ribeiro da Cunha Palace, Príncipe Real Marina Watson Peláez / © Culture Trip

Embaixada, in Ribeiro da Cunha Palace, Príncipe Real Marina Watson Peláez / © Culture Trip

Embaixada, in Ribeiro da Cunha Palace, Príncipe Real Marina Watson Peláez / © Culture Trip

Quiosque Lisboa, Principe Real Marina Watson Peláez / © Culture Trip

Quiosque Lisboa, Principe Real Marina Watson Peláez / © Culture Trip

Market stall in Principe Real Marina Watson Peláez / © Culture Trip

Market stall in Principe Real Marina Watson Peláez / © Culture Trip

Parque das Nações

Parque das Naçoes is a modern area where Oriente train station and the Oceanário de Lisboa are located. It was built to accommodate Expo ’98 and stands today as a living memory of that event. A number of restaurants and bars can be found on the strip along the river, as well as clubs, office buildings and apartments. There is also a popular boardwalk where joggers and dog walkers enjoy the beautiful Lisbon weather.

Waterfall of the water gardens in the Parque das Nações, Lisbon, Portugal © paul abbitt rml / Alamy Stock Photo

Waterfall of the water gardens in the Parque das Nações, Lisbon, Portugal © paul abbitt rml / Alamy Stock Photo

Pond at Avenida da Liberdade Marina Watson Peláez / © Culture Trip

Pond at Avenida da Liberdade Marina Watson Peláez / © Culture Trip

Avenida da Liberdade

If you want to buy designer clothes, Avenida da Liberdade is where to go. Built in the late 19th century, it runs between Rossio train station in the south and Parque Eduardo in the north. Magnificent hotels and banks are found here, as well as names such as Burberry and Armani, and the Hard Rock restaurant. Each side of the street has a comfortable walking path lined with grass, trees and the occasional kiosk where friends meet for a drink.

Shopping in Avenida de Liberdade Marina Watson Peláez / © Culture Trip

Shopping in Avenida de Liberdade Marina Watson Peláez / © Culture Trip

Graça and São Vicente

Like Alfama, Graça and São Vicente are in an older part of the city, which is apparent in the tiny streets and even tinier pavements with barely enough space for one person to walk. They offer wonderful views of the Tejo River from above and wrap around jaw-dropping landmarks such as the National Pantheon (which is often portrayed in panoramics over Alfama) and the Igreja de São Vicente. This is also where visitors will find the Feira da Ladra, an outdoor flea market that takes place every Saturday near the National Pantheon, where lucky shoppers may find antique or traditional keepsakes from their trip.

Feira da Ladra flea market, São Vicente Marina Watson Peláez / © Culture Trip

Feira da Ladra flea market, São Vicente Marina Watson Peláez / © Culture Trip

Jardim Augusto Gil, Graça Marina Watson Peláez / © Culture Trip

Jardim Augusto Gil, Graça Marina Watson Peláez / © Culture Trip

The view from Miradouro da Graça Marina Watson Peláez / © Culture Trip

The view from Miradouro da Graça Marina Watson Peláez / © Culture Trip

Mouraria

Another secret area in the middle of the tourist spots is the old Moorish district, Mouraria, which stretches from Alfama in the south, below the castle, and towards Martim Moniz in the north. This area has attracted immigrants since the 12th century and is increasingly popular. Its history of poverty, diversity and fado can be experienced while walking along the stone streets and past the old buildings and homes that still feature art and décor from the past.

Escadinhas de São Cristóvão, Mouraria Marina Watson Peláez / © Culture Trip

Escadinhas de São Cristóvão, Mouraria Marina Watson Peláez / © Culture Trip

To read the full article from Marina Watson Peláez click here



14 Pendant Light Fixtures That AD’s Favorite Designers and Architects Swear By

Alex Papachristidis, Amy Lau, Beata Heuman, and other top talents share their pick for a go-to pendant light fixture

By Benjamin Reynaert and Mel Studach | November 6, 2019

Flush mounts and recessed lighting have important roles to play when working with restrictive ceiling heights, but when given the perfect opportunity, nothing beats a pendant fixture—or three. In such cases, the use of a pendant is not only a want, but a need, confirms interior designer Alex Papachristidis. “With the height of the ceiling, particularly in tall hallways or large rooms, you need something that hangs down to make the proportion of the room feel more intimate and human,” he says.

In addition to creating a sense of space by drawing the eye upward, a pendant light can help define the interior’s function. That’s why when determining the best fixture, designer Beata Heuman considers light quality, first and foremost: “It’s crucial that they emit the kind of light that is appropriate to the room—softer, gentler lights for living spaces help create a homey glow, while downward light for over kitchen tables or countertops is needed for working underneath.”

Next up? Selecting a fixture design that captures the essence of the interior. “Depending on the space it is used in, I really like to use pendants as an exciting statement piece in a room, almost as though you are looking at a unique piece of art or sculpture,” says Amy Lau. “I like to choose something that pays homage to the room's motifs, but will uniquely stand out in the space,” she says. “I try to have [the pieces] in a room have a fascinating dialogue with one another so the space captures you even more over time.”

The selection is a balancing act, agrees Heuman. “I think successful pendants offer something visually intriguing, but also blend seamlessly into the landscape of the room, not drawing too much attention, but adding something exciting.”

For an even more in-depth guide to sourcing the perfect pendant, Papachristidis, Heuman, Lau, and 11 other top interior designers and architects kindly offer their go-to picks.

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Ike Kligerman Barkley

The Smokebell by Urban Electric Co. features antiqued mirror or clear glass and is reminiscent of American Colonial bell jar pendants. urbanelectric.com

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Bestor Architecture

Affordable and useful, the Unfold pendant by Muuto is made of soft silicon rubber. It's as durable as it is quirky. muuto.com

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Carrier and Company

The Benit medium sculpted chandelier by AERIN is a useful piece that can make a statement in a library or bedroom. circalighting.com

Realty Wealth Advisers Design Blog

Alex Papachristidis Interiors

The Marlowe lantern in Brass is a classic go-to for Papachristidis. The lamp features jewelry-cast corner finishing details, and the glass and metal elements can be customized. remains.com

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Deborah Berke Partners

Designed by Danish architect and designer Vilhelm Wohlert in 1959, this pendant has become known for its functionality and remains a classic today. louispoulsen.com

Amy Lau DesignOne of Giopato & Coombes’s first designs, based on the lightness of soap bubbles, the Bolle collection has long been favored by Lau for the reflective light quality created from the handblown spheres as well as its customization op…

Amy Lau Design

One of Giopato & Coombes’s first designs, based on the lightness of soap bubbles, the Bolle collection has long been favored by Lau for the reflective light quality created from the handblown spheres as well as its customization options. suiteny.com

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Beata Heuman Limited

The Dodo Egg, as its name suggests, is a direct reference to the exotic dodo bird's egg, in this case topped with an extravagant painted brass plume. beataheuman.com

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ASH NYC

Featuring an iconic red ring, Japanese paper shade, and exposed wire, the Maru by Ingo Maurer is also height-adjustable, making this piece a timeless choice. ingo-maurer.com

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Markham Roberts Inc.

The Owl pendant by Soane Britain casts beautiful dappled light above and directed light below. soane.co.uk

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Billy Cotton

The Akari 120A is a classic pendant option designed by Isamu Noguchi in 1951 and handmade in Gifu, Japan, today. noguchi.org

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Cafiero Select

In the Hicks pendant by Thomas O'Brien for Circa Lighting, the exposed rivets and hard-edged metal chain add subtle industrial charm. circalighting.com

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Ken Fulk Inc.

The Small Lattice Globe by Jamb features 12 individual panes of frosted glass set within bronze moldings and gilt brass lattice. A handsome and versatile piece. jamb.co.uk

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Peter Pennoyer Architects

Completely handcrafted at Woka’s Wiener Werkstatte, the Knize Symmetric-35 is the original Adolf Loos design also known as a "Pentagondodekaeder"—a ball made from 12 flat pentagons, originally manufactured for Knize, the renowned men's outfitter and tailor in Vienna. woka.com

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Martyn Lawrence Bullard Design

Intended to evoke the mood of 1940s Parisian cafes, Bullard's own Melrose for Corbett Lighting eschews convention with modern vintage brass details. corbettlighting.com

6 London Design Festival Installations Worth a Second Look

These LDF showcases were brimming with product ideas

By Mel Studach and Benjamin Reynaert | October 3, 2019

Across nine days and many locations throughout the city, the 2019 edition of the London Design Festival was once again the launch pad for new collections, creative ideas, and industry connections. Below, AD PRO senior style and market editor Benjamin Reynaert shares the creative installations that resonated the most. These product-driven displays offered both first glimpses of shoppable collections and introductions to one-off ideas that aren't meant for production—at least, not yet.

1. The New Craftsmen’s “Portrait of Place: Orkney”

The New Craftsmen's London Design Festival display honors the shop's makers.Photo courtesy of The New Craftsman

The New Craftsmen's London Design Festival display honors the shop's makers.

Photo courtesy of The New Craftsman

After 15 years of working in mass-market retail, Catherine Lock opened a new retail concept inspired by the slow movements emerging in the food and hospitality sectors. In 2012, she launched the New Craftsmen in London’s Mayfair neighborhood as a way to highlight the artisans of the Orkney Islands, located northeast of Scotland. For its London Design Festival presentation, titled “Portrait of Place: Orkney,” the New Craftsmen did what it does best—showcased the works of its makers. Those included furniture maker Gareth Neal, straw-chair maker Kevin Gould, basket makers Mary Butcher and Annemarie O’Sullivan, sculptor Frances Pelly, tapestry weaver Louise Martin, and printmaker Charles Shearer, who participated in meet-and-greets and artist demonstrations.

2. "Kaleidoscopia" by Lee Broom

Lee Broom's "Kaleidoscopia."Photo courtesy of Lee Broom

Lee Broom's "Kaleidoscopia."

Photo courtesy of Lee Broom

At first glance, Lee Bloom’s lighting installation at the brand's Shoreditch showroom was magnificent. But upon a closer look, the full extent of the fixture’s gravitas came to light. What would appear to be a chandelier made up of hundreds of lights was in fact made of just 17 of the brand’s Orion lights—the Tube and Globe styles specifically—and mirrors that created an optical illusion like that found through the looking glass of a kaleidoscope.


3. Bill Amberg Print at Coal Drops Yard

If you’re going to launch a new product at a massive show, it’s best to do it in partnership with six of the industry’s most distinguished creatives. At least that was Bill Amberg’s theory during London Design Festival, where the upholstery-leather maker debuted a collection of digitally printed leather hides in collaborations with Marcel Wanders, Calico Wallpaper, Champalimaud Design, Solange Azagury-Partridge, Lisa Miller, and Matthew Day Jackson. The works, which were on display at Coal Drops Yard in King’s Cross, offered a look at the versatility and ink absorbency of the brand’s European bull hides.

Bill Amberg Print's collaboration with Champalimaud Design.Photo by David Cleveland and styling by Jo Bailey courtesy of Bill Amberg Studio.

Bill Amberg Print's collaboration with Champalimaud Design.Photo by David Cleveland and styling by Jo Bailey courtesy of Bill Amberg Studio.

4. “The Study” Exhibition at 18 Davies Gallery

The 20th-century modern design specialists at 18 Davies Gallery took a meta route this LDF, asking interior designer and exhibition curator Irakli Zaria and participating brands to study the study itself. For its contribution, Fromental debuted the Untitled I wall covering, in which warm-toned abstracts hover between the sharp lines of a pencil’s graphite, on a floor screen of the exhibition.

A look at 18 Davies Street Gallery's "The Study" exhibition.Sarah Hogan

A look at 18 Davies Street Gallery's "The Study" exhibition.Sarah Hogan

5. Soane Britain at Pimlico Road

Soane Britain launched its Cobblers Cove collection at London Design Festival.Photo courtesy of Soane Britain

Soane Britain launched its Cobblers Cove collection at London Design Festival.Photo courtesy of Soane Britain

When Soane's team first arrived at the English Cobblers Cove hotel in Barbados, the objective was clear: Use the idyllic setting as a backdrop for a photo shoot of the British manufacturer’s latest collections of rattan, fabric, and wallpaper. Plans changed when the hotel's owner saw the shoot and immediately requested the company remodel a number of its public spaces and suites with Soane designs. London Design Festival attendees got a taste of the resulting interiors, as Soane presented its new offerings in an installation that echoed the tropical Caribbean setting.

6. Morris & Co. Pop-Up at Focus

From the age of 23, May Morris led the embroidery department at her father’s textile firm, Morris & Co. While her expertise and contributions to the Arts and Crafts movement have been long overlooked, the debut of the new Morris & Co. line inspired by her surely won’t be. Unveiled with a showroom-wide exhibition at the brand’s location in the Design Centre at Chelsea Harbour, the Melsetter collection features seven embroideries, seven prints, and 10 wallpapers that nod to the young Morris’s stitching prowess.

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Morris & Co.'s showroom at Focus paid homage to William's youngest daughter, May Morris.Photo by Joshua Tucker courtesy Style Library.

Source: CondeNast | ADPro